Lapis Lazuli Rose Cut Cabochon 8mm Round

Timeless, enduring, serene…but maybe, a little bit boring?

I am referring, of course, to Pantone’s Colour of the Year, Classic Blue. I don’t know, I find I am often a bit bemused by their picks. Along with everyone else, last year’s Living Coral seemed bizarre. This year, they are clearly playing it safe, but is it too safe? What do they say?

“We are living in a time that requires trust and faith. It is this kind of constancy and confidence that is expressed by Pantone 19-4052 Classic Blue, a solid and dependable blue hue we can always rely on,” says executive director of the Pantone Color Institute, Leatrice Eiseman.

Ok, yes. Solid and dependable; words to make the blood start pounding through your veins? Not really. He goes on to say,

“A boundless blue evocative of the vast and infinite evening sky”

Ok, that’s better, and I can see that. It is a very definite shade of blue; a strong colour, but not a loud one. ‘Full fat’ says Michelle Ogundehin and it’s a good description. Blue skies thinking, celestial skies, deep blue seas, all lovely connotations. But also sadness and depression; having the blues. It’s an interesting choice too, when other colour forecasters, for example WSGN, have opted for green shades, in keeping with the current focus on sustainability and, well, green issues.

I do think there’s a difference when it comes to colours between clothing and jewellery. I can’t see myself wearing this blue in clothing form. It’s at once too loud and not distinctive enough. It’s the colour of store uniforms and cheap balldresses from Moss Bros. However, when it comes to gems, it’s a different matter, because the two biggest stars are sapphire and lapis lazuli. At opposite ends of the value spectrum, still there are affordable sapphire cabochons and lapis is making inroads into fine jewellery. Sapphire is my birthstone and yes, one of my favourite gems. But lapis is something else; still inexpensive enough that it can be used in large, experimental pieces, it frequently appears in very contemporary looks, and yet it has a pedigree that stretches back centuries. When set in gold, it evokes Renaissance paintings when, crushed, it provided the blue pigment for the Madonna’s dress. In silver it is clean and sharp.

Sapphire is more expensive and rare, and therefore the jewellery tends towards the more classic and traditional. Big, set-piece engagement rings surrounded by diamonds (like my own!). However, sapphire does also lend itself to a clean, contemporary look, princess cuts set in white metal or larger cabochons in plain settings.

Other stones that could fall under the Classic Blue hat are London Blue topaz and iolite, although the former shades a bit green and the latter a bit purple. In terms of gems, I carry a range of all these stones. To view my Classic Blue collection, click here.

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Sunshine & Blue Skies (or maybe IKEA…)

My November newsletter is out and it’s full of news, views and gemstone goodness. There’s a free ship offer for November as well as the last gasp of my bead sale and de-stash open for a limited stint. You can read it here. Newsletter readers are always the first to hear about offers, some of which are exclusive; why not sign up at joopygems.com?

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How Do You Solve a Problem Like London Blue?

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When I first started selling gemstones 10 years ago (blimey) one of the first stones that I focussed on was London Blue. It was reasonably priced, plentiful and the colour was like no other. Before I started my journey into gems, blue topaz to me meant swiss blue; bright, vivid cornflower blue. I’m not really a bright and vivid kind of girl (!), or at least, the colours don’t look good on me, so it wasn’t a stone I was interested in selling. London Blue, however was a different story. Prussian blue, petrol blue, I had so many names for this distinctive and elegant shade of greenish blue. No other stone could touch it, except perhaps blue tourmaline (indicolite) but you needed deep pockets for that. And my customers appeared to agree! They couldn’t get enough so I started cutting it in all shapes and sizes. However, around 2015 something unpleasant started to happen; the price started jumping up, the quality began to waver. What could be happening? Well, there two main drivers of this price increase. First of all, let’s be clear. When we are talking about blue topaz we are talking about treated topaz. Blue topaz is irradiated white topaz. It has to be irradiated, and then it has to be cooled – that is, allowed to sit whilst the radiation disperses. The darker the topaz, the longer it has to sit. So whilst sky blue topaz has a 3-month cooling period, London Blue has something like 18 months. There are not many places that treat London Blue, and so that in itself puts a pinch on demand. Added to that you have the increasing popularity of the stone, the unwillingness of suppliers to treat more rough – since it effectively ties up millions of dollars for a year and a half with no return during that time. There is also a natural caution amongst suppliers around the popularity of London Blue. Is the increase just a blip, or is it here to stay? Because it’s one heck of an expensive gamble to treat more rough because it is popular now, only to find that in a year and a half it’s gone out of fashion and they have a whole lot of treated rough that they cannot shift. In my view this wont happen; I think the colour is unique and it has enduring appeal, but I’m not the one having to stump up the cash.

However, this is only half the story, and the woes of London Blue go further back, as so many things do, to the recession of 2008. What happened is very simple; topaz is sourced largely from Brazil, and during this time many mines were forced to close. They have never re-opened and now topaz supply is down by around 60% from pre-2008 levels. For a while there was enough rough in circulation to not have too much of an impact, but this corner was turned in around 2015, when demand began to seriously outstrip supply. So there is now a serious problem in that there are two major pinch-points in the supply chain; a lack of good quality untreated rough coming out of the mines resulting in an increase in price at this point. This has then led to suppliers taking a very conservative attitude towards treating the rough, not wanting to tie up increasing amounts of money in a stone that they fear may be something of a bubble. In reality this seems unlikely. Demand for the stone is still high; it is still a unique colour, and it still is available in clean quality. Although the colour has much more variation than it has in the past, with more greyer, less saturated material on the market some people prefer this, feeling that it looks more natural, more gemmy.

So in short, the outlook for London Blue is that prices aren’t coming down anytime soon. This makes it more expensive to buy, but it also means that it’s unlikely to be a wasted investment. And you could do worse than start here, from top, Ananda Khalsa’s London Blue Topaz ring is set in warm 22 carat gold and sterling silver and highlighted with sparkling diamond dots. I love blue topaz in silver, but putting it in gold takes it to a completely new dimension. I’ve always loved the solid, crafted simplicity of William White’s ring settings; in fact I have a number of stones in my collection I’d love him to set for me. The ring below is a 10mm cabochon in a satin-finished sterling silver band.  I do like the angular lines of Eva Dorneys London Blue topaz rings in 9kt gold and sterling silver and I also love the cool stacking system of Barbara S Jewellery. That’s 2 rings, not one; an aquamarine and a London Blue

Ananda Khalsa London Blue Topaz Ring with Diamond Dots, $1,190
Ananda Khalsa London Blue Topaz Ring with Diamond Dots, $1,190

William White Blue Topaz Cabochon Ring, $594
William White Blue Topaz Cabochon Ring, $594

Eva Dorney London Blue Topaz Rings, $305
Eva Dorney London Blue Topaz Rings, $305

Barbara S Jewellery Aqumarine and Topaz Contemporary Stacking Ring, $485
Barbara S Jewellery Aqumarine and Topaz Contemporary Stacking Ring, $485

 

I do have new stocks of 6mm London Blue topaz cabochons; they are more expensive than I would like them to be but trust me when I say I have shaved the price as low as possible! You can find all of my London Blue here.

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