Not a Love Letter to Emerald

When I first started out in jewellery, I used to make lamp-worked beads and I sold my jewellery in various shops and galleries. One of the shops always said to me, ‘no green please. People don’t buy green jewellery.’ Well, times have changed and green is definitely having a renaissance. Of course, if you talk about green stones, the first one that comes to mind has to be emerald. I have to say that I am not a massive fan of the big E; why not? Well, it’s a combination of its price and properties. Emerald is generally a very included kind of stone. Most emeralds have inclusions; gas bubbles, liquid inclusions, minerals and fractures. And oh my goodness; the fractures. It’s not known whether emerald is a generally fractured stone, or whether it’s the extreme processes required to get it out of the ground. Either way, what this means is that emerald tends to be fracture filled. Something like 96% of all emerald on the market is fracture-filled. This means that clean emerald is very rare and very expensive, and that cheaper emerald is generally highly included, almost certainly fracture filled and the lustre just isn’t great. Emerald is also a rather brittle stone, and of course, as we all know, fractures will tend to make a stone more brittle; if you have a fracture filled stone, then it will appear much less fractured than it actually is, and therefore – dangerously – appear more stable than it actually is. It’s not a great choice for a ring stone. In recent years, emerald finds in Afghanistan have turned up high quality, intense green and relatively clean stones, but obviously there are issues involved with mining in that part of the world.

From GIA article Emerald Adventures in Afghanistan

If you had to give me a choice, my top pick for a green stone would be tsavorite garnet. It comes in a stunning intense green, it has fantastic dispersion (it’s very sparkly!) it’s durable, free from inclusions and is not generally treated. It isn’t cheap, but small stones are reasonably priced and they have a beauty and brilliance that you just don’t get with emerald. Below is Anderson Beattie’s Opal & Tsavorite Garnet Ring; the opal really brings out the chrome green shade of the tsavorite.

Chrome diopside is another intense green option. It really isn’t well known and that’s a shame as colour-wise it packs a punch. It retains its intensity of colour even in small sizes – conversely this means that the colour can get very closed in large sizes, and really you don’t tend to see this stone above around 8mm.

Tourmaline: ah my favourite stone of all time. Green tourmaline runs the spectrum from aqua blue through to yellow ‘beer bottle’ green, with all shades of green-blue, blue-green, intense chrome green and light green along the way. Additionally, because tourmaline is so pleochroic, you will often get several shades of green in the same stone – the ring below from Disa Allsop is a really clear example of this where you can see the bright green and gold green colours dancing across the stone. I also love the way that Lola Brooks uses this spectrum of greens in her jewellery. Mimi Favre’s triple claw setting ring also demonstrates the colour range of tourmaline and Monika Krol’s asymmetrical green tourmaline pendant highlights the beauty of this stone set in gold.

Peridot runs apple green through to yellow-green. It’s reasonably priced and so it’s possible to have it in much larger sizes. For me its at its best en cabochon in a nice strong setting. It’s not hard to find clean stones but larger stones can be prone to black inclusions. However, if you can find them, peridot can have very characteristic ‘lily pad’ inclusions, which I think are rather beautiful. Below is Barbara Tipple’s Lioness Peridot Torque, whose powerful linesperfectly showcases the beauty of this stone.

And this ring from Tayma Fine Jewellery – a large, highly included peridot which looks knockout in this strong and simple setting.

I have a variety of green stones for sale in my shop; to browse, click here

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Keeping it real

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Lab Created Ruby Bracelet set in Vermeil….offered at aution with a starting bid price of $1.

It was a pair of padparadscha sapphires that first got me thinking. The beautiful colour, neither pink nor orange, but a gorgeous melange of the two, like a perfect sunrise…I coveted them. And then I saw that they weren’t ‘real’. And I felt a curious mixture of professional shame, slight embarrassment and a faint sense that I should not really like them. Because they were, you’ve guessed it, synthetic. By which I mean lab-grown. Created. Not real. And yet… I still liked them. And it made me wonder whether my snobbery was misplaced. I, like many people I’m sure, associate synthetic stones with cheap jewellery. I turn my nose up at it. It isn’t real. And yet, in order to be classed as a synthetic, a stone has to have the same crystal structure and chemical composition as its natural counterpart. The only thing that is different is that it is grown in a laboratory instead of being dug out of the ground. Without getting too technical, there are several processes for growing synthetics, and they divide into low cost-high volume, and high cost-low volume processes. It is the rapidly produced flame fusion and pulling processes that produce large, clean crystals with all the charm of a piece of coloured glass. Large pieces of emerald without inclusions do not look real. They are too good to be true and easily identified as synthetics. And they are cheap; a few dollars a carat. However, slow processes, where crystals are grown under carefully controlled conditions; flux or hydrothermal processes – processes that are hit and miss and you don’t know what you’re going to get until the crystal grows – these produce much more real looking stones. Nature isn’t perfect. In fact these are sometimes not so easy to tell apart from naturals. Hydrothermal emeralds tend to have very distinctive growth lines, but I remember for my GIA Gem ID exam – you know, the one with the 100% pass mark – I changed my answer on a ruby at the last minute. Thank goodness I did, because changing that answer meant I passed the exam! It was a ruby with fingerprints. Very natural looking fingerprints. But I decided at the last minute that the minute bit of yellow staining at one edge of the stone was a bit of flux residue, and I was right. Such slow-grown synthetics are not cheap stones; the sapphires I wanted were several hundred dollars – nothing like the price had they been real, but still, not the kind of money you’d throw away.

So why didn’t I buy them? For me, it comes down to authenticity and rarity. A ‘real’ sapphire, dug out of the ground, is unique. There is no stone like it. It maybe grew for thousands of years, or came up in the magma of a volcanic eruption. I know it’s real and I can be proud of it. It’s the same reason that I don’t buy knock-off designer handbags (apart from the fact it’s completely illegal of course!). I just think, what’s the point? Why not get something non-designer but beautiful and real. Instead of buying a fake sapphire, I’d rather have a beautiful piece of agate, or a gorgeous pearl, or something properly gemmy but cheaper, like an aquamarine, or tanzanite. That’s just me. I don’t buy them and I won’t ever sell them. I don’t think they’re bad, they just aren’t for me. So it was with interest that I saw that De Beers have launched a created diamond jewellery line; Lightbox. The news created an absolute bombshell within the industry with buyers and producers completely blind-sided. De Beers say that they are not trying to replace the existing diamond industry but create a new one. This might be a master-stroke – rather than turning up their noses and cutting themselves out of a potentially large and growing market. However, I’m not sure. I don’t see how they can promote either market without disparaging the other. Initial statements from meetings at the Las Vegas show report executives stating the that stones are suitable for “emotionally shallower occasions,” and that if you lost such jewelry at the beach “you wouldn’t be quite so concerned,”. Hmm, this doesn’t seem to have ‘PR coup’ written all over it. JCK news reckon they are trying to ‘steer into a skid’ – they can’t stop the car from heading in this direction, but they are trying to maintain control. And De Beers has always been about control. What do you think? Are you a fan of synthetics? Or do you favour the mystique and uniqueness of natural stones?

De Beers Lightbox jewellery
Lab-created diamonds from the Lightbox line. No piece will exceed 1 ct.

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