Lab Grown Diamonds: The Earthquake in the Lab

Natural Diamond (left) and Lab Grown (right), picture from GIA.edu

I’ve been meaning to write about this for a while: the stone that’s been making the diamond trade extremely twitchy for the last few years, and why it’s different to, say, a synthetic sapphire. First things first: a lab grown diamond isn’t a fake diamond, and it isn’t a simulant like cubic zirconia or moissanite. It’s chemically, physically and optically the same as a diamond that’s been dug out of the ground: same carbon lattice, same fire, same hardness, same everything. The difference is that instead of being cooked under the mantle for a billion-odd years, it’s grown in a lab over a few weeks. Lab grown diamonds aren’t a new phenomenon; they’ve been around for years, but it’s just in the past few with the advent of the HPHT – high pressure, high temperature – technique that they’ve really socked the life out of the natural diamond market. If you put one of these lab grown stones and a loose mined stone side by side, even a gemologist needs specialist equipment to tell them apart.

Why “disruptive” isn’t just marketing spin here

The price has fallen off a cliff, and it’s still falling (just more slowly now). A one-carat lab grown stone that would have set you back somewhere north of $3,000 per carat back in 2020 is now trading at a fraction of that — wholesale prices are down something like 90-odd percent since tracking began, and even this year they’re still sliding, just not at the terrifying pace we saw a couple of years ago. Larger stones have taken the biggest hit, because that’s where the old margins used to hide.

It’s eaten well over a third of the engagement ring market. Depending on whose numbers you believe, lab grown stones now account for somewhere between 35% and 55% of U.S. engagement rings, up from practically nothing a decade ago. That is not a niche alternative anymore; that’s mainstream. The natural diamond trade has had to respond, whether it wanted to or not. Certification bodies have had to build entirely new grading and disclosure systems just to keep the two apart on paper. Major mining houses have launched their own lab grown lines, then quietly walked them back when the economics stopped making sense. That’s what real disruption looks like: not a niche product nibbling at the edges, but one that forces the incumbents to restructure around it.

Why the price collapsed so fast

With a mined diamond, scarcity is baked into the value — every stone is a genuinely finite, one-off object that took the earth an unfathomable amount of time to make, and mining it is expensive, disruptive and slow. With a lab grown stone, scarcity simply isn’t part of the equation. It’s a manufactured product, and manufactured products behave like manufactured products: as the technology (CVD and HPHT growth methods, if you want the acronyms) got faster and cheaper, and as more growers came online, prices did what prices always do in that situation. They fell towards the cost of production, and then more or less stayed there. That’s the disruptive bit in a nutshell. You can’t disrupt a market by being a slightly cheaper version of the same scarce thing. You disrupt it by removing scarcity from the equation entirely.

Why this doesn’t apply to coloured stones in the same way

This is the bit I always want people to understand, because it’s the difference between a genuinely disruptive product and a bit of a gimmick. Lab grown diamonds are disruptive precisely because they’re identical to the real thing, atom for atom, and nobody can eyeball the difference. Lab grown coloured stones, on the other hand, very often just don’t manage that trick. A lot of synthetic sapphire, ruby and emerald on the market has a colour that’s too saturated, too even, too clean — it reads as glassy and flat rather than alive, because it’s missing the inclusions, the subtle colour zoning and the slight imperfections that give a natural stone depth. It depends a bit on the method – pulled corundum looks very fake; flux grown a bit less. But diamond doesn’t have that problem at all, because diamond is colourless (top colour, anyway) and structurally quite simple compared to something like corundum or beryl, which is exactly why growers cracked it first and cracked it so convincingly. There’s no subtle internal colour play to fail to replicate, no pleochroism to get wrong, nothing for the eye to catch out.

Where that leaves the natural diamond trade

Not obsolete, but definitely repositioned. Natural diamonds are increasingly being marketed on the one thing lab growns can’t offer: geological rarity and the story of something that’s been sitting in the ground since before there were multicellular organisms on land. That’s a real point of difference, and plenty of buyers still want it. But “it’s an investment” as a sales pitch has taken a battering, on both sides of the aisle – lab growns re-sell for a fraction of what you paid (often 20-40%), and natural stones haven’t exactly been storming ahead either. If anyone still tells you a diamond is a good investment, regardless of how it was made, I’d proceed with caution.

What this means if you’re buying, or making

If you’re after size and sparkle for the budget, lab grown is an extraordinary deal right now, genuinely — you can buy a much bigger, cleaner stone than you could have dreamed of a few years back. If you’re after rarity, heritage or resale value, mined is still where that lives, though you’re paying for the story as much as the stone. And if you’re a maker, it’s worth knowing your customer’s motivation before you steer them either way, because the two are increasingly not competing for the same emotional reasons at all — one’s about permanence and provenance, the other’s about “look how big I could go.”

Either way, it’s a genuinely fascinating stretch of gem history to be watching unfold in real time, and I don’t think it’s finished yet.

joopygems.com

September Blues

September newsletter is out and here’s what’s in it

I haven’t written for a while – it’s been too hot, right?! I actually sent out my September newsletter on the first day it rained here on the South coast for sixty days, which feels appropriately Autumnal. Rather than make you go digging through your inbox for it, here are the highlights — plus a very good reason to make sure you’re actually on the list.

What’s in it:

Five stones I can’t stop thinking about. This issue’s getting the full nerdy-gemology treatment on rhodolite garnet (a properly juicy raspberry red that gives you a lot of colour for not a lot of money), rainbow moonstone (basically bottled moonlight, refuses to look the same twice), black spinel (the quiet, dependable one who somehow makes everyone else look better), London Blue Topaz (moodier, inkier, and getting harder to source since 2008 — so if you love it, now’s the time), and sphene, which I will not stop banging on about because it genuinely out-sparkles diamond and nobody believes me until they see it.

A birthstone chat. September means sapphire, and September babies did rather well for themselves — every colour except red, with red being ruby throwing its weight around under a different name.

A bit of trade gossip “Pigeon blood” and “royal blue” are getting official recognition in lab reports, GIA is now tracing origin on more everyday stones, and there’s a proper industry shift towards colour and story over “biggest diamond wins.” Which, if you’re already the sort of maker who reaches for an unusual stone over a safe one, is basically the industry finally catching up to you.

Creative combos, for when you know you want two stones together but haven’t a clue which two — plus actual design prompts (wax seals, storm maps, midnight swimming pools, moss on gravestones — it gets a bit unhinged, in a good way).

And the important bit: 20% off everything, storewide, for three days only. Code BENCH20, ends Tuesday 1st September at 23.59 GMT.

Why sign up, if you haven’t already

I’ll be honest with you, because that’s rather the point of this blog: I’m not going to pretend a newsletter changes your life. But here’s what it actually does for you:

  • You get first look at new stock — the good stuff tends to move fast, and subscribers see it before it hits general browsing.
  • Sales and discount codes land in your inbox, not somewhere you have to remember to check.
  • Actual gemology, explained by someone who’s sat the exams. Hardness, treatments, what’s rare versus what’s just marketed as rare — the kind of detail that makes your own customer conversations sound a lot more credible.
  • Design prompts you can steal outright. Every stone comes with two or three concrete jewellery ideas, because staring at a loose gem waiting for inspiration to strike is is surely the best thing about this job.
  • Trade news, pre-digested. I read the GIA and JCK reports so you don’t have to, and I flag only the bits that actually matter to a working jeweller.
  • No spam, no daily nonsense. Just a proper, chatty, occasionally rain-soaked update when there’s something worth saying.
  • Featured Jewellery: I always pick some pieces I think are especially gorgeous. This month we have (above from left) The Gatherers Rainbow Sprinkle Ring, from the Polly Wales x Castro Smith 2026 collab,Charlie Shires Salacia Sphene Ring and Linney’s Sapphire and Diamond Freeform Ring.

If that sounds like your sort of thing, you can sign up over at joopygems.com — and if you’re reading this after the 1st of September, don’t worry, there’ll be another discount along!

When Life Gives You Lemons…

Quartz is one of the most ubiquitous gemstones; whether amethyst, citrine, rose, smoky or lemon, it’s plentiful and reasonably priced and you’re not going to have to part with a limb to buy it. It comes in so many different colours, including the fascinating and beautiful rutilated varieties. I want to talk a bit about lemon quartz, as it’s one of the family of treated quartzes and is a bit of an unsung hero. It’s a stone that cuts and polishes nicely and you can have it in pretty large sizes due to the relatively low carat price. Whiskey quartz, lemon quartz; nice lustrous stones in good sizes. Lemon quartz is irradiated with cobalt 60 gamma rays at very low dose (the stones aren’t glowing!) and then heated. The other thing that people aren’t generally aware of is that comes in different intensities of colour – and I don’t just mean that bigger stones are more saturated; you can get it from pale to much more intense yellow-green. My supplier tells me that people use it as a substitute for peridot, but I don’t think it’s that dark. It is on the same fresh, citric yellow-green spectrum, however. I used to sell mine – which is darker than standard lemon quartz – as green-gold quartz, to differentiate it, but it was too much of a differentiation, as people didn’t know what I was talking about and after I got asked a few times if I stocked lemon quartz, just changed the title! But it does have good saturation and is more of a yellow-green than pale yellow; I think you need it with a bit of saturation otherwise it looks a bit wan. The colour is more like a chrysoberyl and I think it really comes into its own when it’s mixed with other gemstones. I love the combination with citrine, which you would think would be a clash; the warm gold and the cool lemon, but it works. I also absolutely love it with the ruby, and I never would have thought about pairing these two, but they look amazing. In fact, I think I do like this stone best when it’s warmed up with gold, or golden stones, as they just seem to make it glow.

You can browse my lemon quartz here

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The Colour of Money

Colour is such a subjective matter; what’s your favourite? I like purple but my friend can’t bear it; my daughter loves brown, but I’m with Winston Churchill there: “I cannot pretend to be impartial about the colours. I rejoice with the brilliant ones, and am genuinely sorry for the poor browns“. When it comes to gemstones, the question of colour should not be subjective; unfortunately, it very often is. All gemstones will have a top colour; the most-prized shade within each stone’s shade range that commands top dollar. For example, in tanzanite it’s a pure blue similar to sapphire. In emerald it’s a bluish-green to green with strong to vivid saturation and medium to medium-dark tone. This may not be your preferred shade – for example I am more fond of the more violet tanzanites – but it is simply the one that will command the highest price. With a stone like tanzanite, which is highly pleochroic, cutters must often decide whether to cut a larger stone that is not oriented for top colour, or a smaller one that is.

The problem is, this is by no means straightforward. Over the years, trade and commercial names have arisen to describe top colour. Most of these will have their roots in something quite meaningful and specific, but because the names themselves are not specific, it gives sellers a great deal of leeway to include a huge variety of shades until the name becomes practically meaningless. Ruby is a really good example; the term ‘pigeons’ blood’ has for years been the gold standard in terms of colour. It’s meant to refer to stones with a glowing red fluorescence, but just look at the shade range as illustrated in this AGL photograph. A 2015 study examined 500 rubies on just one trading network with 90% described as ‘pigeons’ blood’. But with per carat prices ranging from $450 to $50,000, the description is meaningless. In fact the term that the GIA use is ‘fanciful’.

Sapphire is another good example: Kashmir sapphire is the gold standard, which is traditionally a violet to violet-blue stone with high saturation and a velvety lustre; Ceylon sapphires are traditionally lighter with higher lustre. Australian stones tend to be more green with a darker tone. The obvious problem here is that not all stones from these locations will exhibit these properties and stones that do, aren’t necessarily from these locations. It’s also very difficult to know, once a stone has been dug out of the ground, where it has come from, so you could be paying top dollar for Kashmir sapphire with no actual proof that’s what it is. Sellers will offer mixed bags of dark sapphires to their wholesale clients that might be from a mix of locations – Nigeria, Vietnam, China, Thailand, Australia and label them as ‘Australian’ and this is more acceptable as these are much lower value and the deposits are very similar.

Paraiba tourmaline is another example. Coloured by copper, these stones are extraordinary, neon aqua stones (sometimes described as ‘Windex’!). They were discovered relatively recently, in 1982 and found only in Brazil, named for the province where they were found. Whilst subsequent deposits of copper bearing ore was found in Mozambique and Nigeria, most stones did not approach the extraordinary saturation and hue of the Brazilian stones. But have a little look on ebay; go on, put ‘paraiba tourmaline’ into the search box and what comes up is anything with the slightest aqua hue, from watery pale greens and light blues. In the picture below (courtesy of Lotus Gemology), from left to right, all of these would appear to qualify as paraiba, but only two of them owe their colour primarily to copper (stones 3 and 5 working from left to right). They appear almost identical and all equally breathtaking, but the term Pariaba will cause the price to skyrocket.

Other forms of tourmaline are equally poorly defined – slap the word chrome or rubellite on the front of it and you’ve got a nice price hike, but the definition appears to be tourmaline that’s quite bright green and tourmaline that’s very bright pink – and many chrome tourmaline stones are actually coloured by vanadium!

The GIA has long sought to take the flights of fancy out of colour description and has developed a system of colour classification that relies on extremely fine shade distinction and a very objective language: for example, colours run from, say, very strong blue-green to blue green, to very slightly blue-green, to green, and so on. These colour definitions allow a really accurate description and are anchored to a colour chart (see below, courtesy of GIA). What this method lacks in romance it does make up for in accuracy and it does something else as well; it restricts the colour solely to a gemstone’s hue.

What do I mean by that? A gemstone is not merely red, blue, green. That is its hue, and it does matter; it plays a big part in the value. But there are other factors which are also very important in a stone’s value; in fact you could say the colour exists in three dimensions. Hue is one, but equally important are saturation and tone: how intense is the colour and how dark? The GIA deals with these separately for example a Kashmir sapphire can be operationalised as violetish blue to pure blue hue, with moderately strong to vivid saturation and medium-dark tone. Each aspect is described separately. Another problem with trade or commercial names is that they often only refer to hue, and so they tend to elevate hue above all other colour aspects; in reality a stone’s value is based on a combination of hue, saturation and tone. In addition to this, a stone may display colour zoning or pleochroism; it may have inclusions, it may appear a different colour under different types of light, and let’s not forget about cut. This can also affect the appearance of colour, not just in terms of how the stone is oriented but a stone cut to save weight will not return light to the eye in the same way as one cut to ideal dimensions and may appear dark, or have dead areas. It’s a good idea to have a solid handle on colour and value, as traders will always favour those inconsistent and ill-defined colour names over more precise definitions as it allows for a much wider range of stones to be funnelled into the top price brackets. As with everything in this business, a little bit of knowledge goes a long way and caveat emptor!

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Dopamine Dressing Lite

  • Joopy Gems Pink Tourmaline 3x4mm rose cut pear
  • Joopy Gems Tanzanite 3x4mm Rose Cut Pear
  • Joopy Gems London Blue Topaz 6mm Round Cabochon
  • Joopy Gems Lapis Lazuli 8mm Rose Cut Cabochon
  • Joopy Gems Rose Quartz 6mm Cabochon
  • Joopy Gems Light Pink Tourmaline 3mm Round Cabochon
  • Joopy Gems Citrine Rose Cut 4mm Round Cabochon
  • Joopy Gems Rhodolite Garnet 6mm Rose Cut Cabochon
  • Joopy Gems Tsavorite Garnet 6x4mm Rose Cut Pear

This is the buzzword, well, buzz-phrase really of the season. It refers to the idea that dressing a certain way can make you feel good. Obviously this is going to mean different things to different people, but it has been defined this season as meaning bright, mood-boosting colours. I love the idea of this; and in fact, I am a big fan of colour in my surroundings – I love a yellow sitting room; a red dining room; a blue bedroom. I’m just not sure I can go to bright pinks, oranges and acid greens in my clothing. My pale, English skin won’t take it! The fashion mags are saying, don’t put too many different colours together, which seems like sensible advice; keep it to one or two colours.

To me, it seems a much easier trend to wear in jewellery form, as most coloured stones are bright and saturated and that’s how we like them! Think of a juicy pink tourmaline, or a glowing yellow citrine; a vibrant green peridot or a velvety purple amethyst. Garnets like drops of blood and lapis the colour of a summer sky. And these can look amazing when put together, six or seven colours in the same piece.

Below, from left to right: I love the mismatching riot of colour in Grainne Morton’s Rainbow Multilayer Balance Victorian drop earrings, the joyous technicolour tribute to Bowie in Jennifer Loiselle’s Let’s Dance Earrings, and Nardi’s knuckle duster of coloured stones. Bottom centre is one of my favourite designers; Suzanne Kalan with her rainbow choker. Any of these would be an instant mood-booster!

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Apatite Mixed Cut Gemstone 8x6mm Oval

Apatite is The Sincerest Form of Flattery

I’m talking about apatite of course, although you might be mistaken for thinking that you were looking at some sublime pieces of paraiba tourmaline. Apatite actually takes its name from the Greek ‘apate’ which means ‘to deceive’, which really is the perfect name for it. It is a shade of gemstone that is just very unusual, very hard to find and which really only has paraiba as a similar colour. Bright, neon aqua, it is a beautiful stone in its own right, although it is a lot cheaper than paraiba. It’s also a lot softer; at 5 on the Mohs scale, its going to scratch fairly easily and even break, so it should really be reserved for either special occasion jewellery or be put in settings where it’s not going to get rough treatment. If you’re going to put it in a ring, it’s probably not for everyday use or for, ahem, doing the washing up in. It’s hard to cut, hard to polish and so it would be easy to dismiss this stone, but one look at it and you’ll be lost, I promise. Treat it nicely and you’ll be rewarded with a breathtaking gem. There’s plenty of lower grade material on the market, and this is lovely in its own right; it makes for a very nice dark blue to teal opaque stone. But the transparent material is the most eye-catching and as it grows in small crystals, larger stones are pretty rare.

Interestingly apatite is part of a group of minerals that is abundant in nature. It’s found in the human body as tooth enamel and bone, and in rocks from the moon. It’s also the world’s most common source of phosphorus, and so some forms of apatite are used to make fertilizers and chemicals. When I read that I had to check it, as it seems so extraordinary. I’ve been selling apatite for a long time now and it is a very steady seller. Even though it is unusual, I think the colour is so beguiling that people don’t worry so much that they haven’t heard of it.

Below you can see what I mean. The stunning blue of the Kat Florence ring, the bright popping colours of Nikos Koulis’ apatite, pink tourmaline and agate earrings and Poppy Jewellery’s apatite and tourmaline pendant. I suppose if I had to guess I’d say the bottom stone was the apatite, but I could not say for sure!

The oval mixed cut apatite stones in the header image are now available on discount at around £35 per stone; an absolute bargain! To check out all of our apatite, click here

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Sphene, it’s Sphecial.

If you think that sphene makes you sound like you have a speech impediment, you can always go for its alternative name: titanite. Either way there’s a good chance that you have never heard of this incredibly beautiful, unusual and lively stone. Sphene has more fire than a diamond; its dispersion – that is, its ability to separate white light into the colours of the spectrum – is higher than a diamond. This fire is obvious to the naked eye and is even more extreme under incandescent light. It is hard to describe the colour of this stone as it has strong pleochroism and will change colour according to the angle it’s being viewed but think autumn leaves, many-coloured and flashed through with oranges and yellows. Most sought after is a bright, chrome green. It’s hard to find it completely clean; it normally will have needles, mistiness and veils but this in no way detracts from the beauty of this most unusual stone. It’s soft – 5-5.5 Mohs, which means really it’s best for necklaces and earrings, maybe you could get away with an occasional use ring, especially if it’s in a protected setting, but do give it a go, you’ll be amazed.

Sphene was discovered in 1785 but not named until 1801, with the name deriving from the Greek word for ‘wedge’ – which is not the most romantic entymology, and also I’d have thought a name that applies to quite a lot of crystals! Its alternate name, titanate, derives from the presence of titanium in the mineral. It’s always been considered a bit of a collectors gem, due to its scarcity but if you’ve never used it, give it a try. It really is unique.

I currently have sphene rose cuts in 3mm-5mm including half sizes, and you can find it all by clicking here

Joopy Gems Green Tourmaline Rose Cut Cabochon 5mm Round

5 Alternatives to Emerald and Why They *Might* be Better

Yes, it’s May and the birthstone for this month is emerald and it’s time for me to do my customary post about emerald alternatives. Not that I have anything against emerald per se, I don’t want the Emerald Appreciation Society on my back, but I just think that there are many alternatives to emerald that are both cost-effective and just as beautiful, and less likely to break on setting, or in general use. I’m always surprised by emerald engagement rings, for example, as emerald is a brittle and often included stone, prone to breakage. Not a great ring stone. Why is it often so brittle and included? The jury is out; it could be that that is just how it grows; it could be an artefact of how it is mined, which is often using explosives. Because it is such an included stone, some 95% of emerald is routinely fracture-filled, either with oil or resin. It’s completely accepted by the trade, and it should be disclosed to the customer on purchase so if you are buying emerald, make sure you are clear about this.

Here’s a few alternatives, ranked according to my personal opinion! I’m not talking about imitations and synthetics here; simply what might you use if you want a green stone and want to get a bit more bang for your bucks.

5. Peridot.

It’s a bit too yellow to be a particularly convincing substitute, and it can have a bit of an oily lustre but it is the most affordable untreated green gem, and it has in the past been mistaken for emerald. It is speculated that Cleopatra’s famous emerald collection was in fact peridot. It isn’t particularly difficult to find clean quality up to around 6mm; after that it gets a bit harder to find clean quality and whilst its characteristic lily-pad inclusions are rather beautiful, you also often get small, black mineral inclusions which are less appealing. I have clean quality up to 6mm but my 8mm stones are sprinkled with these tiny black inclusions. It is possible to get clean quality at this size, but expect to pay around 5 times the price. Peridot looks particularly beautiful with gold, which draws out the warm, gold tones. It isn’t, however, a great ring stone as it is rather soft – 6.5-7 on the Mohs scale – and it doesn’t take much for facet edges to become abraded. It’s iron that causes its attractive yellowish-green tones and most of it comes from China and Arizona in the USA. You have to be a bit careful with it – plunging in cold water after soldering can crack it and ultrasonic cleaning can wreck it. Below you can see how the warm gold of the setting picks up and complements the warmth of the stones.

4. Chrysoprase

This will substitute for translucent emerald – the kind you often see in polki cuts and beads. The kind of emerald that is used for this is often very included and often has those blackish inclusions. The colour and lustre can be poor, so lovely chrysoprase can be a good option if you want a brighter colour and cleaner look. Chrysoprase means ‘golden apple’ in Greek, and indeed, its best colour is a zingy apple green with just a touch of yellow. This stone is coloured by nickel and makes fantastic earrings. Again, it is really complemented by yellow metal settings but it is also quite soft – 6-7 on the Mohs scale, so is best suited to earrings or pendants that don’t get a lot of rough treatment. These two earrings below are a perfect example of the kind of clean, opaque material with that lovely emerald-like blue-green shade.

3. Chrome Diopside

This is an excellent choice as it is a stone that is not routinely treated and tends to display much better clarity than emerald. A fantastic, saturated green with great sparkle, it is coloured by the same elements as emerald; chromium or vanadium. In some cases this may be too good, as it tends to look dark in larger sizes; it needs careful cutting to maintain a good, open colour. The flip side of this means that it retains good saturation even in small sizes. It is pretty soft – 5.5-6 on the Mohs scale and so is not really tough enough to make a good ring stone. This also means that facet edges will abrade over time. Below you can really see the density of colour even in the tiny studs on Isueszabo’s stud earrings.

2. Tourmaline

Tourmaline comes in a dazzling array of colours, which makes it an excellent option. Although some green tourmaline shades quite yellow, the brighter grass greens are lively enough to make an excellent alternative. High quality chrome tourmaline certainly can rival emerald and tsavorite. Highly regarded as a stone in its own right, it is coloured by the elements iron and possibly titanium, and the brightest green stones contain traces of chromium and vanadium, like emerald. Measuring 7-7.5 on the Mohs scale, it’s the hardest so far of our potential substitutes and can be used with care in rings. Bot of the earrings below demonstrate the colour shade range that tourmaline can display and I love the arrangement of the different colours.

1. Tsavorite Garnet

In my view, the best option. Like tourmaline, garnet comes in an array of colours, although it’s possible that this is not quite so well known. For many, garnet refers to the dark and dusty jewellery belonging to your grandmother. The green versions of garnet are tsavorite and demantoid, and the most appropriate of these as an emerald alternative is tsavorite. It’s not the cheapest, but it’s vibrant green, it’s not hard to find in clean quality and as it is garnet, it also has great brilliance and fire. Yes, fire. Garnet is often so dark that you can’t see this, but with tsavorite you often can. Its colour is caused by the element vanadium, like emerald, and indeed the colour can often rival that of emerald. It’s one of my favourite stones and at 7-7.5 on the Mohs scale it can make a ring stone. You can see how beautiful it is both in the larger rings stone below left and in smaller stones on the right.

Click individual titles for links, or to view all my green stones, click here

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Everything Teal is Awesome!

  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Rose Cut Round 6.5mm
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Rose Cut Round 4.5mm
  • Joopy Gems Australian Sapphire Rose Cut Round 6.5mm
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Rose Cut Round 6.5mm
  • Joopy Gems Australian Sapphire Rose Cut Round 5.5mm
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Polki
  • Joopy Gems Australian Sapphire Rose Cut Round 4.5mm
  • Australian Sapphire Rose Cut Round 6mm

Australian sapphire is popular. Otherwise known as teal sapphire, I know this partly because when I took delivery of stocks of it in calibrated rose cuts and polkis, it pretty much sold out immediately. It’s not hard to understand why – I generally struggle to keep stocks of anything in the teal colour family as it is found in so few stones – tourmaline is the other main stone which displays this colour, and even Santa Maria Aquamarine a bit, and they are all very popular. The Australian sapphire has something extra, however, as it is very often parti-coloured, displaying blues, greens and yellows in the same stone, making it appear pleochroic, shimmering and completely unique. It isn’t pleochroic as such – which is seeing different colours from different angles according to the light properties of the stone, it is actual colour-zoning within the stone. You can see this below in Lindsay Lewis’ Sway Ring Set – the blues and greens across the stone – I also love the orientation of this stone – so unusual.

It’s a fairly recently popular stone, too. When it is dug out of the ground, it can appear dull and rather dark. It is often filled with so much silk that it can appear oily. It requires heat treatment and sometimes bleaching to bring out its beauty, and traditionally it is treated in Thailand, where conrundum treatments have long been a speciality. You can get it in blue shades, but more common is the green-blue, and more rarely it comes in yellows, or greenish yellows. I’m seeing it more and more in jewellery as the market is becoming more used to it, and it makes an economical and unique alternative to bright blue sapphire.

Below right, you can see the silk in the Eden Philippa ring, giving it a lovely velvety appearance, and on the left is Melanie Katsalidis’ Elevate ring, the clean setting showcasing beautifully the the colour variation of this beautiful stone.

I have sold out of most of my calibrated stones, although I do have some 5mm rose cuts – including a lovely yellow and green one – plus some rose cut freefoms (polki). To shop all of my Australian sapphire, click here

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