Spring seems far away but this year has gone so fast I’m shocked. Over here in Hong Kong, Autumn weather can feel very much like Spring weather (warm, sunny, not too hot), a relief after the sweltering summer month. So it doesn’t feel too strange to be thinking about spring colours. I normally have a look at the Pantone colour report for each season, just to make sure that I’ve got a good selection around the projected colour trends, and it’s nice to have look to see what’s out there. I’m starting with Nectarine; a soft, warm orange, great for providing a bit of a lift in these troubled times. From a pale coral to a deep, muted tangerine, this is a colour that adds warmth to the complexion and cheers the spirits.

In this colour range I’ve got pink freshwater pearls at the softer, more muted end of the spectrum; full strings, half drilled and button pearls, find them here, and peach moonstone at the deeper, more saturated end, find it here. For a paler take on it, morganite has a wonderful translucency. This is a colour that responds equally well to the warmth of gold and the cool brilliance of silver, and would combine well with neutrals such as ivory pearls and white moonstone as well as forming interesting partnerships with brighter colours like emerald, turquoise, peridot. In its paler tones, such as morganite, I can see it working well with amethyst and a strong blue; sapphire or kyanite.

I’ve been collecting images of jewellery, which you can view on my Pinterest and here are a few of them. On the left is an amazing Adria Alic ring  from her ‘Flower’ collection, fashioned from silver and plastic. If you’ve never come across her work, you must have a look; she creates the most fantastical, dreamlike flights of fancy. Aiming to transcend ‘…the boundaries between jewellery, sculpture and visual arts’, she works with themes of illusion and lack of function to awaken people’s curiosity and challenge traditional notions of value in jewellery. Her work is mind-boggling, astonishing and you can find it here

On the right is a ring from the LA designer nodeform. Created by an architect turned jewellery designer,  Konstanze design philosophy is for simple, sculptural forms with an architectural look. His work is clean and crisp, allowing the reflective qualities of the metal to enhance the flowing lines and overall harmony of the piece and endeavours to use reclaimed metal and ethically sourced gemstones in his pieces. Pictured is his Peach Moonstone Luna Ring, sterling silver with a bullet shape 11mm peach moonstone cabochon. You can see this and other examples of his work here

If you visit Ivona Posavi Pšak’s shop, IMNIUM, you will see that she claims to be ‘good at making jewellery, bad at writing about myself’. Whether she is right about the latter, I can’t really comment, but as to the former, I have to agree! Her pieces are organic, detailed and extraordinary. To the left is her Modern Organic Morganite Ring, made from hand-made oxidised silver beads and featuring a faceted 4.5mm morganite. You can find her work here, and be sure to check out her wire-wrapped work, which provide some of the most visually stunning examples of this technique I have seen, wonderful writhing coils provide depth and movement.

To check out what else I’ve found, you can find more on my Pinterest boards. I’ll be adding boards for each of the Pantone spring 2013 colours and am on the look-out for the weird, wonderful, beautiful and esoteric; drop me a line if you have something you think is suitable!

I’ve listed an awful lot of freeforms lately; opaque ruby, sapphire and labradorite. Coming soon I also have opaque emerald as well, and just in the last week, I have listed many, many watermelon tourmaline slices. Tourmaline is always popular, with its huge variety of colours, and this has been reflected in the price over the past few years, which has gone steadily up and up. I can’t do much about the price, but I do try to keep quality nice and high, and these slices are pretty clean for watermelon tourmaline, which is often highly included. They are absolutely gorgeous, in juicy, saturated colours, and I’ve got a huge variety in terms of shape, size, colours and price, including some rather rare and hard to source blue ones (several of these have already gone!). I also have a couple of pairs, which are fabulous for earrings. If you want to browse the collection, the relevant page on my website is here: http://www.joopygems.com/tourmaline-watermelon-slices/ . The last time I had these, they went pretty fast, and then I had no end of difficulty finding them again, so if you like them, grab them whilst they’re here!

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Stacy Low from Form and Funktion creates pieces of jewellery that are contemporary treasures; a unique blend of contemporary clean lines with ornate detail. She describes her creative process at its best as a state of ‘flow’ where she is ‘a vehicle for something that is pouring through me and bringing art to life.’ This sense where she, the creator, instead of imposing something on metal and gem, steps back and allows them to speak to her, engenders a sense of connection to the entire world. She herself states that her design philosophy embraces the idea that life is enriched by detail, and by the way that people notice the details in even everyday things. In this way, she strives for pieces with several layers of detail, ‘treats for the eyes’, so that every time you look you notice something different. This can be seen in this beautifully tactile silver and topaz ring (right) with its layering of textures, combination of polished and oxidised surfaces and judicious choice of stone. Both this and the silver and aquamarine ring (above) fascinate with their clean lines and ornate detail and cause the observer to look twice; are they heirlooms, or pieces that are utterly now? The truth is, a bit of both. You can find more about Stacy’s work as well as information about where to buy at her website, www.formandfunktion.com.

This looks like something Winnie the Pooh might write, in which case there should be a little song, but I won’t attempt that…! I have such difficulties photographing pale stones; the hardest being pale blues and aquas. Stones which are a intense, bright hue in real life, such as Swiss Blue Topaz and Apatite, turn out pale and washed-out looking. Pale stones such as sky blue topaz and aquamarine are even harder. One of my customers tells me that it is due to to the wave length of the colour blue and it is notoriously hard to shoot in print media. This sort of thing is common, pictured left are Swiss Blue Topaz 4mm cabochons. It isn’t horrible, but Swiss Blue Topaz is a very vibrant stone and this makes it appear soft and pale. In addition, the background is a murky greyish colour and there are bright white reflective patches on the stones. If I twiddle with the levels I can get the background whiter but then the reflective patches get very extremely white and the colours begin to look very unreal. I have recently developed a new technique – can anyone see what I’ve done here? These are Swiss Blue Topaz, 6mm cabochons (right), and Apatite 6mm cabochons (left), and here you can see that the colours have remained deep and intense. I’m much happier with these, as there are none of the white patches and the colour is much more true to life. My only problem is that the image is now quite stylised, and sometimes I suspect almost cartoonish. What do you think? I would love to hear from anyone who has the same problem and who has found a solution. If you share yours, I’ll share mine!